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Identifier: decorativetextil00hunt
Title: Decorative textiles an illustrated book on coverings for furniture, walls and floors, like damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers
Year: 1918 (1910s)
Authors: Hunter, George Leland, 1867-1927
Subjects: Textile fabrics Textile design Lace and lace creating Embroidery Wallpaper Leatherwork Interior decoration Tapestry
Publisher: Philadelphia, London, J. B. Lippincott Company Grand Rapids, The Dean-Hicks Firm
Contributing Library: Wellesley College Library
Digitizing Sponsor: Wellesley College Library

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, getting strictest in Moorish Spain. The exact same condition prevailed in Christian nations. Certainlythe creating of photos and photographs of persons and animals is pro-hibited definitely enough in the Jewish and Christian Ten Command-incuts, but sculpture and painting do not on that account suffergreatly in Christian nations, although animal types have beenbanished from most European woven fabrics (except tapestries).Protestant churches admit jjictures into stained glass only, and thatgrudgingly and typically with tiny art. Undoubtedly the religious prohibition had an important influencenot only in the iconoclastic movements of the Christian Empire of theEast and the West (the Byzantine Empire and that of Charlemagne)in the eighth century, but also in the jNIohammedan world at variousjjeriods. In addition, the religious influence against woven photos insilk was powerfully supplemented by other influences—by inability toweave figm-es that had been both representative and decorative by the 35

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Plate VI—Cope in Persian sixteenth century hriicMdeilvelvet, in the Metrn])oIitan Muscnm of Art

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Identifier: decorativetextil1918hunt
Title: Decorative textiles an illustrated book on coverings for furnishings, walls and floors, which includes damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretonnes, drapery and furnishings trimmings, wall papers, carpets and rugs, tooled and illuminated leathers
Year: 1918 (1910s)
Authors: Hunter, George Leland, 1867-1927
Subjects: Embroidery Tapestry Textile fabrics Lace and lace generating Wallpaper Decoration and ornament
Publisher: Philadelphia and London, J. B. Lippincott organization Grand Rapids, The Dean-Hicks business
Contributing Library: Sterling and Francine Clark Art Institute Library
Digitizing Sponsor: Federally funded with LSTA funds by way of the Massachusetts Board of Library Commissioners

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1 jfSHBBF Plate III—Swiss brussels lace motifs for curtains

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Plate IV—On the proper, broderie anglaise (pierced function, which is the simplest type of reduce-operate) with reticella centre on the left, cutwork figure of man EXAMPLES OF Actual LACE MOTIFS 86

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Steel Coal Mining Shafts

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Speedy advances in technology led to new production processes for Cheratte colliery, including the rising use of electrical power and improvement of new machine tools. Mine shafts suddenly started to plunge ever deeper into the subterranean globe, exploring new opporunities for profiteering that lay beneath.

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Identifier: decorativetextil00hunt
Title: Decorative textiles an illustrated book on coverings for furnishings, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers
Year: 1918 (1910s)
Authors: Hunter, George Leland, 1867-1927
Subjects: Textile fabrics Textile design Lace and lace making Embroidery Wallpaper Leatherwork Interior decoration Tapestry
Publisher: Philadelphia, London, J. B. Lippincott Company Grand Rapids, The Dean-Hicks Company
Contributing Library: Wellesley College Library
Digitizing Sponsor: Wellesley College Library

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(I!) IlonivsiuklePlate XXIX—THIJKK CHINTZES BY WILLIAM MORRIS 352

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Plate XXX—MODERN SATIN, PRINTED IN Vibrant COLOURSFrom ancient copper plates

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Identifier: decorativetextil00hunt
Title: Decorative textiles an illustrated book on coverings for furnishings, walls and floors, which includes damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furnishings trimmings, wall papers, carpets and rugs, tooled and illuminated leathers
Year: 1918 (1910s)
Authors: Hunter, George Leland, 1867-1927
Subjects: Textile fabrics Textile design and style Lace and lace creating Embroidery Wallpaper Leatherwork Interior decoration Tapestry
Publisher: Philadelphia, London, J. B. Lippincott Business Grand Rapids, The Dean-Hicks Company
Contributing Library: Wellesley College Library
Digitizing Sponsor: Wellesley College Library

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e by hand only and in smallsheets—wall papers have been either printed and sold in modest sheets, orrolls were produced In pasting with each other sheets prior to printing. The invention of paper is frequently attributed to the Chinese,in spite of the truth tliat the word jxtpcr is derived from papi/rus, a single ofthe two sacred i)lants of the ancient Egyptians, the other beingthe Jotits that Professor (xoodyear, of the Brooklyn Museum, hasexploited in an epocli-making book. As a matter of reality, the Egyp-tians employed j^aper produced from the papyrus a lot more than 8,000 years beforethe Chinese found how to make ])aper from the mulberry andthe baml)()o. Also, each the Greeks and the Romans used Egyptianpaper created from tlie papyrus, and continued to use it until the fifthcentury A. D., when the arts of western ELurope have been subniergedbeneath the hordes of wandering barbarians. Right after that most of thewriting completed in Ein-opean monasteries appeared on the polished skinsof sheep and other animals (j)archment and vellum)-ir)S

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Plate I—THE ORIGIN OF WALL PAPKR A Cliinesf ])aiating in the styk- of Kien-liMif-, |)ietui-ing the Taoist fairy,Mo-lu-lisicn, with attiiidaiit (leer 35!)

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Identifier: decorativetextil00hunt
Title: Decorative textiles an illustrated book on coverings for furnishings, walls and floors, like damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furnishings trimmings, wall papers, carpets and rugs, tooled and illuminated leathers
Year: 1918 (1910s)
Authors: Hunter, George Leland, 1867-1927
Subjects: Textile fabrics Textile style Lace and lace generating Embroidery Wallpaper Leatherwork Interior decoration Tapestry
Publisher: Philadelphia, London, J. B. Lippincott Business Grand Rapids, The Dean-Hicks Firm
Contributing Library: Wellesley College Library
Digitizing Sponsor: Wellesley College Library

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. The mask and the god-dess in the middle panel of the north wall are not the same as themask and the goddess in the middle panel of the south wall. There isalso variety in the masks and the statues of the outer panels and manyminor differences, some of which were clearly intentional. As inOriental rugs and Renaissance tapestries and other examples ofgenius in ornament, the repetition that brings balance and reducesnatural forms to human terms is relieved by pleased assortment in detail. The west or windowed wall of the space consists of 3 panels,the outer two of which are the same, reversed. The middle one particular showsa bowl of fruit with parrot above. The outer two show a grotto,fountains and bright-coloured birds. The Boscoreale frescoes would be interesting to rejjroduce onmodern walls, with the brush on canvas or with the block paper. PATTEEN AND TEXTURE PAPERS Chinese wall papers and these primarily based on them (Plates II, IV)occupy an intermediate position in between picture papers and pattern 380

Text Appearing Following Image:
Plate XIV—FAMOUS PAPERS Made BY WALTER CRANE In tlie ii))|)fr left eonier. Fig- and Peacock in the upper right. Golden Age in the reduced left corner. Wood Notes inspired by Shakespeares Midsummer Nights Dream on the proper. Peacock 381

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Identifier: decorativetextil00hunt
Title: Decorative textiles an illustrated book on coverings for furnishings, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers
Year: 1918 (1910s)
Authors: Hunter, George Leland, 1867-1927
Subjects: Textile fabrics Textile style Lace and lace producing Embroidery Wallpaper Leatherwork Interior decoration Tapestry
Publisher: Philadelphia, London, J. B. Lippincott Firm Grand Rapids, The Dean-Hicks Company
Contributing Library: Wellesley College Library
Digitizing Sponsor: Wellesley College Library

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dingsaround. Now the tapestries are far more beneficial in their completeform, since we are after once more begimiing to develop residences thatcontain at least 1 dignified apartment massive sufficient to supply abackground for several tapestries of full Renaissance size. AUBUSSOX Given that the revival of interest in—and expertise of—tapestriesin the last quarter of the nineteenth century, Aubusson has been thecentre of production of tapestry furnishings coverings for the wholeworld—Russia, Germany and the Argentine, as properly as England andAmerica. And while some of the shops have exploited goods inferiorin structure and components and dyes, as properly as in style, it gives megreat pleasiu-e to testify to the common excellence of Aubusson repro-ductions of French eighteenth century furnishings coverings, particu-larly of these right after Oudry and Boucher. Plate VII illustratesthe kind I imply, inspired by or copied from the tapestry seats andbacks illustrating Lafontaines fables, originated by Oudry for 810

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Pliitci IV -INKXPKXSIVK TAlKSTKY CHAIK SKATMade in America

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