Image from web page 388 of “Decorative textiles an illustrated book on coverings for furnishings, walls and floors, which includes damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furniture trimmings, wall papers, carp

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Image from web page 388 of “Decorative textiles an illustrated book on coverings for furniture, walls and floors, such as damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furniture trimmings, wall papers, carp
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Identifier: decorativetextil00hunt
Title: Decorative textiles an illustrated book on coverings for furnishings, walls and floors, which includes damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furnishings trimmings, wall papers, carpets and rugs, tooled and illuminated leathers
Year: 1918 (1910s)
Authors: Hunter, George Leland, 1867-1927
Subjects: Textile fabrics Textile design and style Lace and lace creating Embroidery Wallpaper Leatherwork Interior decoration Tapestry
Publisher: Philadelphia, London, J. B. Lippincott Business Grand Rapids, The Dean-Hicks Company
Contributing Library: Wellesley College Library
Digitizing Sponsor: Wellesley College Library

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Text Appearing Prior to Image:
e by hand only and in smallsheets—wall papers have been either printed and sold in modest sheets, orrolls were produced In pasting with each other sheets prior to printing. The invention of paper is frequently attributed to the Chinese,in spite of the truth tliat the word jxtpcr is derived from papi/rus, a single ofthe two sacred i)lants of the ancient Egyptians, the other beingthe Jotits that Professor (xoodyear, of the Brooklyn Museum, hasexploited in an epocli-making book. As a matter of reality, the Egyp-tians employed j^aper produced from the papyrus a lot more than 8,000 years beforethe Chinese found how to make ])aper from the mulberry andthe baml)()o. Also, each the Greeks and the Romans used Egyptianpaper created from tlie papyrus, and continued to use it until the fifthcentury A. D., when the arts of western ELurope have been subniergedbeneath the hordes of wandering barbarians. Right after that most of thewriting completed in Ein-opean monasteries appeared on the polished skinsof sheep and other animals (j)archment and vellum)-ir)S

Text Appearing After Image:
Plate I—THE ORIGIN OF WALL PAPKR A Cliinesf ])aiating in the styk- of Kien-liMif-, |)ietui-ing the Taoist fairy,Mo-lu-lisicn, with attiiidaiit (leer 35!)

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Image from page 410 of “Decorative textiles an illustrated book on coverings for furniture, walls and floors, which includes damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furniture trimmings, wall papers, carp
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Image by Web Archive Book Pictures
Identifier: decorativetextil00hunt
Title: Decorative textiles an illustrated book on coverings for furnishings, walls and floors, like damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furnishings trimmings, wall papers, carpets and rugs, tooled and illuminated leathers
Year: 1918 (1910s)
Authors: Hunter, George Leland, 1867-1927
Subjects: Textile fabrics Textile style Lace and lace generating Embroidery Wallpaper Leatherwork Interior decoration Tapestry
Publisher: Philadelphia, London, J. B. Lippincott Business Grand Rapids, The Dean-Hicks Firm
Contributing Library: Wellesley College Library
Digitizing Sponsor: Wellesley College Library

View Book Web page: Book Viewer
About This Book: Catalog Entry
View All Pictures: All Photos From Book

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Text Appearing Prior to Image:
. The mask and the god-dess in the middle panel of the north wall are not the same as themask and the goddess in the middle panel of the south wall. There isalso variety in the masks and the statues of the outer panels and manyminor differences, some of which were clearly intentional. As inOriental rugs and Renaissance tapestries and other examples ofgenius in ornament, the repetition that brings balance and reducesnatural forms to human terms is relieved by pleased assortment in detail. The west or windowed wall of the space consists of 3 panels,the outer two of which are the same, reversed. The middle one particular showsa bowl of fruit with parrot above. The outer two show a grotto,fountains and bright-coloured birds. The Boscoreale frescoes would be interesting to rejjroduce onmodern walls, with the brush on canvas or with the block paper. PATTEEN AND TEXTURE PAPERS Chinese wall papers and these primarily based on them (Plates II, IV)occupy an intermediate position in between picture papers and pattern 380

Text Appearing Following Image:
Plate XIV—FAMOUS PAPERS Made BY WALTER CRANE In tlie ii))|)fr left eonier. Fig- and Peacock in the upper right. Golden Age in the reduced left corner. Wood Notes inspired by Shakespeares Midsummer Nights Dream on the proper. Peacock 381

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Please note that these photos are extracted from scanned web page pictures that may possibly have been digitally enhanced for readability – coloration and look of these illustrations could not perfectly resemble the original operate.

Image from page 340 of “Decorative textiles an illustrated book on coverings for furnishings, walls and floors, which includes damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furnishings trimmings, wall papers, carp
rapid tooling
Image by Net Archive Book Images
Identifier: decorativetextil00hunt
Title: Decorative textiles an illustrated book on coverings for furnishings, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and furniture trimmings, wall papers, carpets and rugs, tooled and illuminated leathers
Year: 1918 (1910s)
Authors: Hunter, George Leland, 1867-1927
Subjects: Textile fabrics Textile style Lace and lace producing Embroidery Wallpaper Leatherwork Interior decoration Tapestry
Publisher: Philadelphia, London, J. B. Lippincott Firm Grand Rapids, The Dean-Hicks Company
Contributing Library: Wellesley College Library
Digitizing Sponsor: Wellesley College Library

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Pictures: All Pictures From Book

Click here to view book on-line to see this illustration in context in a browseable on the internet version of this book.

Text Appearing Ahead of Image:
dingsaround. Now the tapestries are far more beneficial in their completeform, since we are after once more begimiing to develop residences thatcontain at least 1 dignified apartment massive sufficient to supply abackground for several tapestries of full Renaissance size. AUBUSSOX Given that the revival of interest in—and expertise of—tapestriesin the last quarter of the nineteenth century, Aubusson has been thecentre of production of tapestry furnishings coverings for the wholeworld—Russia, Germany and the Argentine, as properly as England andAmerica. And while some of the shops have exploited goods inferiorin structure and components and dyes, as properly as in style, it gives megreat pleasiu-e to testify to the common excellence of Aubusson repro-ductions of French eighteenth century furnishings coverings, particu-larly of these right after Oudry and Boucher. Plate VII illustratesthe kind I imply, inspired by or copied from the tapestry seats andbacks illustrating Lafontaines fables, originated by Oudry for 810

Text Appearing Right after Image:
Pliitci IV -INKXPKXSIVK TAlKSTKY CHAIK SKATMade in America

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Please note that these photos are extracted from scanned web page photos that could have been digitally enhanced for readability – coloration and appearance of these illustrations may not completely resemble the original perform.

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